Homecast is a podcast series recorded in quarantine in which creatives from around the world share their lived experiences of these unique circumstances. Creator Giacomo De Poli tells us why this collective diary was needed now more than ever.
Meryl Streep, what it means to be an actress in the Trump era. The full Golden Globes speech
At tonight’s #GoldenGlobes we honor Hollywood legend Meryl Streep with the prestigious Cecil B. Demille Award. pic.twitter.com/dxpeCDNXY6 — Golden Globe Awards (@goldenglobes) 9 gennaio 2017 Meryl Streep received the Cecil B. DeMille Award at the 74th Golden Globes, held on the 8th of January in Beverly Hills, United States. Her acceptance speech caught the world’s attention because of its
At tonight’s #GoldenGlobes we honor Hollywood legend Meryl Streep with the prestigious Cecil B. Demille Award. pic.twitter.com/dxpeCDNXY6
— Golden Globe Awards (@goldenglobes) 9 gennaio 2017
Meryl Streep received the Cecil B. DeMille Award at the 74th Golden Globes, held on the 8th of January in Beverly Hills, United States. Her acceptance speech caught the world’s attention because of its not-so-veiled reference to president-elect Donald Trump, citing the moment in which, during his campaign, he mocked a disabled reporter by imitating them. The veteran Hollywood actress expressed her outrage at such behaviour, which she said “gives permission for other people to do the same thing”.
The Golden Globes are awarded annually by the Hollywood Foreign Press Association and Streep also reflected on what it means to be part of the United States’ cinematographic elite in today’s world by unpacking the role of foreigners and the press. Hollywood is “a bunch of people from other places”, she said, and “if you kick them all out, you’ll have nothing to watch but football and mixed martial arts”.
On his part, Trump dismissed the actress, one of international cinema’s most timeless icons, as “a Hillary lover”, referring to his electoral adversary Hillary Clinton. He added that he was “not surprised” he had come under attack from “liberal movie people”, reports the New York Times.
Meryl Streep’s speech the Golden Globes, the full transcript
“Thank you very much. Thank you very much. Thank you. Please sit down. Please sit down. Thank you. I love you all. You’ll have to forgive me. I’ve lost my voice in screaming and lamentation this weekend. And I have lost my mind sometime earlier this year. So I have to read. Thank you, Hollywood Foreign Press [Association]. Just to pick up on what Hugh Laurie said, you and all of us in this room, really, belong to the most vilified segments in American society right now. Think about it. Hollywood, foreigners, and the press. But who are we? And, you know, what is Hollywood anyway? It’s just a bunch of people from other places. I was born and raised and created in the public schools of New Jersey. Viola [Davis] was born in a sharecropper’s cabin in South Carolina, grew up in Central Falls, Long Island. Sarah Paulson was raised by a single mom in Brooklyn. Sarah Jessica Parker was one of seven or eight kids from Ohio. Amy Adams was born in Italy. Natalie Portman was born in Jerusalem. Where are their birth certificates? And the beautiful Ruth Negga was born in Ethiopia, raised in — no, in Ireland, I do believe. And she’s here, nominated for playing a smalltown girl from Virginia. Ryan Gosling, like all the nicest people, is Canadian. And Dev Patel was born in Kenya, raised in London, is here for playing an Indian raised in Tasmania. Hollywood is crawling with outsiders and foreigners. If you kick them all out, you’ll have nothing to watch but football and mixed martial arts, which are not the arts.
They gave me three seconds to say this. An actor’s only job is to enter the lives of people who are different from us and let you feel what that feels like. And there were many, many, many powerful performances this year that did exactly that — breathtaking, passionate work. There was one performance this year that stunned me. It sank its hooks in my heart — not because it was good. There was nothing good about it. But it was effective and it did its job. It made its intended audience laugh and show their teeth. It was that moment when the person asking to sit in the most respected seat in our country imitated a disabled reporter, someone he outranked in privilege, power, and the capacity to fight back. It kind of broke my heart when I saw it. I still can’t get it out of my head because it wasn’t in a movie. It was real life. And this instinct to humiliate, when it’s modelled by someone in the public platform, by someone powerful, it filters down into everybody’s life, because it kind of gives permission for other people to do the same thing. Disrespect invites disrespect. Violence incites violence. And when the powerful use their position to bully others, we all lose.
This brings me to the press. We need the principled press to hold power to account, to call them on the carpet for every outrage. That’s why our founders enshrined the press and its freedoms in our constitution. So I only ask the famously well-heeled Hollywood Foreign Press and all of us in our community to join me in supporting the committee to protect journalists. Because we’re going to need them going forward. And they’ll need us to safeguard the truth.
One more thing: Once, when I was standing around on the set one day whining about something, we were going to work through supper, or the long hours or whatever, Tommy Lee Jones said to me, ‘Isn’t it such a privilege, Meryl, just to be an actor?’ Yeah, it is. And we have to remind each other of the privilege and the responsibility of the act of empathy. We should all be very proud of the work Hollywood honours here tonight. As my friend, the dear departed Princess Leia said to me once, ‘Take your broken heart, make it into art’. Thank you.”
Siamo anche su WhatsApp. Segui il canale ufficiale LifeGate per restare aggiornata, aggiornato sulle ultime notizie e sulle nostre attività.
Quest'opera è distribuita con Licenza Creative Commons Attribuzione - Non commerciale - Non opere derivate 4.0 Internazionale.
Time magazine’s 100 Women of the Year project sheds light on influential women’s stories, from Amelia Earhart to Greta Thunberg. A selection of some of the greats for International Women’s Day.
Leaving cliches behind, beauty and sexuality in old age are widely unexplored topics. Photographer Arianne Clément tells why she chose to shed light on this universe.
Un violador en tu camino – the rapist is you – is an anthem protesting the impunity of gender-based violence. It began in Chile and has become a global flash mob, bringing people to the streets and resonating all over the world.
The Oxford English Dictionary has chosen “climate emergency” as 2019’s Word of the Year because of its effectiveness in communicating a sense of urgency in the fight against global warming.
Filmmaker Dhondup Wangchen was imprisoned by the Chinese government for his documentary condemning the Tibetan condition. He tells us how he continues to fight for his people even after the traumas faced.
To mark the release of Anthropocene: The Human Epoch, we interviewed photographer and co-director Edward Burtynsky, who told us the story behind the documentary.
Snowflakes can be deceiving. Banksy transformed them from a marker of winter festivities into a symbol of the plague of air pollution in his mural Season’s greetings in Port Talbot, Wales.
Artist Jeff Hong imagined how Disney fairy tales’ characters would live in the real world: the result – or better the ending – is everything but happy.